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The St. Mark's Players Proudly Present

The
Heidi Chronicles
by Wendy Wasserstein
Directed by Frank Pasqualino ~ Produced by Jerry M. Dale, Jr.
Produced by special arrangement with Dramatists Play Service, Inc.
Artwork: Jane Sherman after Judith Leyster,
Self-Portrait, c.
1635 (National Gallery of Art, Washington, DC)
Fridays, November 5, 12 & 19, 2004, at 8PM
Saturdays, November 6, 13 & 20, 2004, at 8PM
Sundays, November 7 & 14, 2004, at 3PM
Act I
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Prologue |
A lecture
hall, New York, 1989 |
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Scene 1 |
Chicago, 1965 |
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Scene 2 |
Manchester,
New Hampshire, 1968 |
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Scene 3 |
Ann Arbor, Michigan, 1970 |
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Scene 4 |
Chicago, 1974 |
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Scene 5 |
New York, 1977 |
INTERMISSION
Act II
All scenes take place in New York.
|
Prologue |
A lecture
hall, 1989 |
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Scene 1 |
An apartment,
1980 |
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Scene 2 |
A TV studio,
1982 |
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Scene 3 |
A restaurant,
1984 |
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Scene 4 |
The Plaza
Hotel, 1986 |
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Scene 5 |
A pediatrics
ward, 1987 |
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Scene 6 |
An apartment,
1989 |
The Players
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Heidi Holland |
Leah Daily |
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Susan Johnston |
Bobbie Legg |
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Peter Patrone |
Blakeman Brophy |
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Scoop Rosenbaum |
Howard Vine |
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Chris, Boxer, Mark, Steve, Waiter, Ray |
David Clement |
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Jill, Debbie, Lisa |
Ariel Grayson |
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Fran, Molly, Betsy, April |
Janice Dionne |
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Becky, Clara, Denise |
Sara Mead |

Production Crew
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Director |
Frank Pasqualino |
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Producer |
Jerry M. Dale, Jr. |
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Stage Manager |
Jeffrey Stevenson |
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Set Design |
Jeffrey Stevenson
Jeffrey Auerbach |
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Crew |
RC Bates
Chris Byrne
Jay Daily
Madeline Hall
Noah Stetzer
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Light Design & Mastering |
Jeffrey Auerbach
Jerry Dale |
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Lightboard Operator |
Ivan Davila |
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Sound Design & Mastering |
Frank Pasqualino
Ed Morman |
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Sound & Video Board Operator |
Ed Wilde |
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Video Design |
Frank Pasqualino |
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Camera Man |
David Clement |
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Costume Design |
Abby Briggs |
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Properties |
Richard Warfield |
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Makeup |
Rick Hayes |
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Hair Stylist Consultant |
Jennifer Keely |
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Box Office Manager |
Gabriella Nozik |
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House Manager |
Lee Knorr |
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Show Art |
Jane Sherman |
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Publicity Coordinator |
Pamela Blumgart |
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Program Design & Production |
Pamela Blumgart |
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Opening Night Party |
Jim Robertson |
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Liaison from the Board of Directors |
Beth Hall |
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T-shirts |
CaféPress.com |
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Printing |
Beaver Press
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Special Thanks to
The Rev. Paul R. Abernathy
St. Mark’s Episcopal Church, Washington,
D.C.
A special thanks to the following people,
whose commitment and sacrifice
to ensure this production was a success
are greatly appreciated:
Jerry M. Dale, Jr., Jeffrey Stevenson, Robert
C. Bates, Rick Warfield,
Ed Wilde, and Beth Hall
Thanks to Gabriella Nozik for re-entering
the theater scene
in such a behind-the-scenes but vital way
-
"The Shoop Shoop Song (It's in His Kiss)"
by Rudy Clark
©1963, 1964 Alley Music Corp. and Trio
Music Co. Inc.
All rights reserved. Used by permission.
"Respect" lyrics and music by Otis Redding
©1982 Irving Music, Inc. (BMI)
All rights reserved; international
copyright secured.
"You Send Me" written by Sean Cooke
©1965, renewed 1985 ABKO Music, Inc.
All rights reserved. Used by permission.
"Baby, I'm Yours" written by Van McCoy
©1964, 1965 All rights administered by EMI
Blackwood Music, Inc.
All rights reserved; international
copyright secured. Used by permission.
Director’s Notes
Frank Pasqualino
The imagery, settings, and music you are
about to experience will take many Baby Boomers on a trip down Memory
Lane. Nonetheless, this play is not a nostalgia piece, nor is it a
man-bashing, feminist “comedy.” The Heidi Chronicles goes deeper.
Wendy Wasserstein's Pulitzer Prize-winning
play tells the story of Heidi, a young woman coming of age in the Baby
Boom generation. As doors are just beginning to open for women to choose
careers other than wifedom and motherhood, Heidi takes a different path
from many of her friends; she remains single and becomes successful in
her chosen career as an art historian. As Wasserstein takes us through
Heidi’s adult life, we see there is a different perspective of success
for men and women. The bottom line: Women have to work twice as hard as
men but still don’t achieve the same sort of traditional success.
On the surface, Heidi seems like all the
other girls in her pre-consciousness-raised generation, with—in the
words of the Big Bopper—“a wiggle in her walk, a giggle in her talk, a
ponytail hanging down....” But on closer inspection, there's something
different about Heidi, a seriousness that sets her apart from her
contemporaries. Perhaps it is a sign that the times are changing, that
the good-little-girls' handbook is about to be rewritten.
Heidi is often a spectator in her own
world, attending consciousness-raising groups, protesting to bring
awareness to women in art, and engaging in complicated relationships
with Scoop, Peter, and Susan. As Heidi, Susan, and many of their female
friends, acquaintances, and enemies try out and discard the different
roles now open to them, they face choices their mothers never imagined.
To shave or not to shave, to burn lingerie or not to burn lingerie, to
marry, raise children, change society from within or without, make
money, make a difference, take care of a man or take him on. It's a
bewildering array of possibilities, for nobody more so than our heroine,
Heidi, who in the end comes to learn that “having it all” rarely means
actually having it all.
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The Cast
Blakeman Brophy (Peter)
is pleased to return to SMP after appearing for the first time as
Richard Henry Lee in last spring's 1776. A Hill resident, Blake
is glad to have
found an outlet for his acting pursuits so close to home. Many thanks to
Frank and the great cast and crew for this tremendous experience. As
always, special thanks also to RD-FV.
David J. Clement Jr. (Chris,
Boxer, Mark, Steve, Waiter, Ray) appears in The Heidi Chronicles
in his second role in community theater and first role at St. Mark’s. He
is very excited to be apart of this incredible production with an
outstanding cast. David would like to thank Dave and Jeff for broadening
his horizons and getting him into theater, and he would also like to
thank all his family friends for all their love and support. David
wishes for you to sit back, relax, and enjoy the show.
Leah Daily
(Heidi) is thrilled
to be performing for the first time with St. Mark’s Players. By day, she
is a marketing director and by night an actress pursuing her dream. Two
of her most recent theater credits include Princess Astrid in The
Princess & the Pea, with Elden Street Players Theatre for Young
Audiences, and Helena in A Midsummer Night’s Dream with the
Sterling Playmakers. Leah’s passion for acting includes some film work
as well—a training video for Geico, a student film at American
University entitled Deelish, and the skeleton every good actor
should have in the closet, the independent film Delayed Vengeance.
She is a founding board member of the new Leesburg Theatre Company. A
special thank you to Frank for his vision and for this wonderful
opportunity, to the cast for their incredible talent, and the crew for
all of their hard work! Leah would like to dedicate this show in memory
of her Dad and to her Mom for allowing her to grow up with the belief
that she could have it all.
Janice Dionne (Fran, Molly,
Betsy, April) began her theater career with various support roles in
Annie (Delhi Community Players, New Delhi, India). Her acting
training has included courses from Theatre Lab and Studio Theatre
Conservatory in Washington, D.C. Favorite
roles she has played include the front half of a camel and Philomena in
Sister Mary Ignatius Explains It All To You, Sylvia Dutton in
Don’t Mention My Name (Castaways Repertory Theatre), and Mrs. Van
Daan in The Diary of Anne Frank (Prince William Little
Theater). She was last seen as Sally in Later Life
(Springfield Community Theatre). During the day, she performs as a
secretary at the Department of State. She thanks her family for their
continued support.
Ariel Grayson (Jill, Debbie,
Lisa) is thrilled to be in her first performance at SMP, working with
such a wonderful cast and crew. Most recently, she performed at Prince
George’s Little Theatre, where she played the role of Meredith in
Five Women Wearing the Same Dress. Thanks to friends and family for
coming to the show!
Bobbie Legg
(Susan) finds that both the creativity and camaraderie draw her back to
the theater again and again. Previous performances include Runaways
with St. Mark’s Players and shows at Eastern Mennonite University and
the Catholic University of America. By day, Bobbie works as a
psychotherapist with emotionally disturbed
adolescents. In all of her endeavors, she enjoys exploring this world
with the companionship of her wonderful husband, Eric, who adds depth,
color, and fullness to her life.
Sara Mead (Becky, Clara,
Denise) is excited to be performing for the first time in Washington,
D.C., where she has lived for five years. She'd like to thank the
director, cast, and crew of the Heidi Chronicles for a great experience
and hopes to work with them again soon. A graduate of Vanderbilt
University, Sara is a policy analyst at the Progressive Policy Institute
in Washington.
Howard Vine (Scoop) has found
theater, stage, and comedy to be constants in his family from the
earliest elementary school variety show, to sharing the stage with Chris
Reeve in high school, to leads in Rockville Theater Company's comedy
All Because of Agatha and Potomac Theater Company's play about
clichés Like White on Rice. A lawyer/lobbyist by day, working
with the St. Mark’s Players has given him an extraordinary experience
working with people truly committed to professional performance. He
especially wants to express gratitude to Frank P. for his creative
vision, devotion to re-creating a moment in time, and an experience from
which we have all grown. Also gratitude to Jeff Stevenson for his
nuanced detail in monitoring and managing our progress as actors. To
Leah for the passion that allowed her to commit to such an enormous
undertaking (the role, the lines, the distance), and to my wife Lydia
for accepting my elusive chase of a stage career.
The Crew
Jeffrey Scott Auerbach
(Set and Light Design) is in his fifth season with SMP. Some of Jeff’s
favorite designs have been with the Players, Into the Woods and
Pippin to mention a couple. The Players have always been very
supportive and a great group to work with. He would like to express his
thanks to Jerry Dale for all of his help over the last couple of years;
he looks forward to working more with him in the future. He really hopes
you enjoy the show.
Abby Briggs
(Costume Design) comes to SMP from the great white north of Michigan,
where she honed her costuming craft. Abby has a minor in theater from
Saginaw Valley State University, where she was active not only in
costuming, but acting, singing, and many other technical areas of
theater. After graduating in 1999, she moved to the greater Detroit
area, where she joined the Gross Pointe Theatre and was involved in many
productions, including The Sound of Music, Bells Are
Ringing, and Annie. Abby is one of the few people who feel at
home
both on the stage and off. She has enjoyed her first experience with SMP
and hopes to be involved in upcoming St. Mark’s shows.
Chris Byrne (Crew) is backstage
on his 12th show with SMP, where he
has helped in many capacities, often running lights. A Capitol
Hill and St. Mark’s native, Chris had his Eagle Scout ceremony in the
nave of St. Mark’s.
Jerry M. Dale, Jr.
(Producer) is
becoming a fixture with the St Mark’s Players. He has served in nearly
all capacities in a production, but this is his first time producing.
Initially serving as the board liaison for this show, Jerry accepted the
role of producer after our first producer had to leave to take care of
urgent family matters. Jerry would like to thank the cast and crew for a
great show and his loving partner, Warren, for supporting Jerry’s ever
increasing theater habit.
Ivan Davila
(Lightboard Operator) appeared in the Little Theatre of Alexandria’s
production of The Ritz and Studio Theatre’s Far Away
following a two-month acting course under director Delia Taylor at the
Theatre Lab. He is thrilled to be part of the behind-the-scenes
technical team in this production.
F. Lee Knorr
(House Manager) was most recently seen as Maine in
Antigua at Natural Theatricals, heard as the voice of several
Martian women in The Martian Chronicles at Gallaudet, and seen
as Mother Wolf and Kaa the Snake in The Jungle Book at the Puppet
Company. She has been seen at St. Mark’s in The Best Christmas
Pageant Ever, Albertine in Five Times, and as Claree in
Steel Magnolias, a role she reprised this fall at the Gaithersburg
Arts Barn.
Edwin Morman
(Sound Design) is a California native, now settled in the D.C. area
after serving 10 years in the Air Force. He is an audiovisual consultant
with Booz Allen Hamilton
in McLean. Ed first came to St. Mark’s Players to do sound for Pippin
when pianist (now wife) Laurie Morman recruited him at the last minute.
With a theater history dating back to high school, he has done nearly
every show in the last three years with St. Mark’s and loves every
moment of it. He has designed sound for several other theater groups in
the community as well, notably LTA, Springfield, and Tantallon.
Frank Pasqualino (Director) has
directed numerous productions in the Washington area, but this is his
directorial debut with the St. Mark’s Players. He enjoys and is very
active in all aspects of theater. Backstage credits include
stage-manager for The Comedy of Errors, set constructor at Little
Theatre of Alexandria (LTA) for Victor/ Victoria, and set
designer for Shenandoah and I Hate Hamlet. For the latter,
he received a WATCH nomination and LTA’s Award for Outstanding Set
Design. On stage, Frank was last seen as Gaetano Proclo in last season’s
LTA production of The Ritz, and as Marcus Lycus in LTA’s Forum
in 2003. Frank designed the set and was dialect coach for Wrong Turn
at Lungfish at Port City Playhouse last season, was nominated for an
ACT award in set design for the PCP production of Ladies in
Retirement, and has performed with The Arlington Players and Improv
Theatre. Frank would like to thank his wife, Donna, and son, Jesse, for
their love, support, and encouragement. Bruce, I know you are watching,
too!
Jeffrey Stevenson
(Stage Manager) left the Navy and landed here in the D.C. area about two
years ago. Shortly afterward, he worked as a stagehand on the SMP
production of The Sound of Music. After that, he was hooked. He
was stage manager and set designer for the SMP production of Runaways
the following fall, then served as assistant stage manager for The
Ritz at Little Theatre of Alexandria. Also last spring, he stage
managed the Mt Vernon Community Children's Theater production of Anne
of Green Gables. Last summer, he stage managed the Natural
Theatricals production of the Greek tragedy The Women of Trachis
at the National George Washington Masonic monument in Alexandria.
Jeffrey is thrilled and honored to return to St. Mark’s to be a part of
this production and to work with such an incredible cast and crew; thank
you all.
The 2004-05 Sponsors Circle
Archangels
Robert C. Bates
The Jordan Family
Michael A. Pemberton and Chad M. Wilmer
Bill and Kay Pommerening
The Rutherford Family
Ed Wilde
Angels
Alden Atwood
Pamela Caldwell-Foggin and Tom Foggin
Larry and Ellen Cardwell
Stephanie and David Deutsch
Rod Lawrence
Walton Moody
Patrons
Greg Gay and Marlane Liddell
Jim and Marilyn Meek
John Paynter
Geoff and Jo Rake
The Soble Family
Kevin Sockwell
Sponsors
Mark and Susanne Allen
Lisa Anne Kerwin
Buzz and Lilly March
Bertha Martin
Larry and Darcy Thompson
Friends
The Blumgart Family
Nikki Felix
Kevin Kosty
William Parker
Jane and Bruce Sherman
The Sponsors’ Circle contributors are a
major source of
support for the St. Mark’s Players. We
sincerely thank each
of them for their generous contributions.
St. Mark’s Players’ Board of
Directors
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Lisa Anne Kerwin, President |
Jerry Dale |
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Johnna Reeder, Vice President |
Jim Robertson |
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Ed Wilde, Secretary |
Rick Rutherford |
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Beth Hall, Treasurer |
Jane Sherman |
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Mark Allen |
Jeff Stevenson |
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RC Bates |
Eric Willette |
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Pamela Blumgart |
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Stewart Andrews, Vestry Liaison
St. Mark’s Episcopal Church
The Rev. Paul R. Abernathy, Rector
The Rev. Shearon Sykes Williams, Assistant
Rector
Keith S. Reas, Director of Music
St. Mark's Players Production Archive |