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The St. Mark's Players Proudly Present

Produced
by special arrangement with Samuel French
November 7, 8, 14, 15, 21, &
22, 2003, at 8PM
November 9 & 16, 2003, at 3PM
This production contains
mature themes and some mature language.


Runaways Auditions
Act I
Prologue
Appendectomy I
You Don't
Understand
I Had to Go
Parent Kid
Dance
Where Do
People Go?
Footsteps
Once Upon a
Time
Current Events
Every Now and
Then
Out on the
Street
Minnesota
Strip
Song of a
Child Prostitute
I Went Back
Home
Lullaby for
Luis
Christmas
Puppies
This is What I
Do When I'm Angry
Spoons
Lazar's Heroes
Undiscovered
Son
Find Me a Hero
There will
be a 15-minute intermission between the acts.
Act II
In the
Sleeping Line
We Have to Die
The Basketball
Song
Clothes
Lullaby from
Baby to Baby
Enterprise
Mr. Graffiti
Sometimes
The Untrue
Pigeon
Appendectomy
II
Scrynatchkielooaw
Let Me Be a
Kid
To the Dead of
Family Wars
Problem after
Problem
Lonesome of
the Road
Let Me be a
Kid (Reprise)
The
Runaways
Misha Enayat
Hannah Hagerty
Mattie Hagerty
Madeline Hall
Lauren
Gaston-Hawkins
Eben Kuhns
Bobbie Legg
Ann Limberger
Samantha Lint
Jack Moore
Will (Andy)
Pommerening
Aaron Reeder
Armand T. Rice
Ashley
Robinson
Josh Soble
Woody (Will)
Stewart, Jr.
Andy Tonken
Alexis Truitt
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Director’s Notes
By Kevin Sockwell
In 1978 I saw Runaways on Broadway.
This was before Rent and shortly after Hair so it was
ground breaking in many ways. I do not remember much about the show,
but what I do remember is how much I was moved by the subject matter
and the overflowing energy of the cast. I loved the production,
especially the eclectic musical styles of Elizabeth Swados.
A lot has happened to me since 1978,
including finding myself working with real runaways in my work as an
addiction counselor. I guess I have come full circle in directing this
show. The central questions for this evening are: Why do people run
away? Why would a child leave his or her family and live on the
street? Inherently, we all think of running away as a stupid, selfish,
and ill-fated folly. Nothing could be as bad as living on the street
or bouncing around from home to home. In my professional work, it is
easier for me to understand the need to carry out such a desperate
act.
I directed this show as if this cast of
runaways is on trial by you, the audience. Their job is to convince
you they did what they felt they needed to do, had to do, that they
had no other choice. Be warned, they will engage you as if you are the
jury they must convince.
We will explore the question of why people
feel they must run away. We will explore the fears, nightmares,
triumphs, hopes, and dreams of runaway children through the eyes of
our young cast. In this exploration, I hope you will see what you have
run away from in life. Did you run away from a job? a relationship?
responsibility to a parent, lover, spouse, child, other family member,
or yourself?
I work with drug addicts daily and see how
they run away through substances. Many people hate working with drug
addicts; I love it. At least drug addicts are up front about running
away, and they are willing to admit they have run away from life. I
guess it is that honesty that has attracted me to this show as well
and kept it in the back of my mind for 25 years. Honesty is what we
are about tonight.
My actors are not real street urchins, but
they have worked hard to present this piece as authentically as
possible. We will either authentically touch you or authentically
disappoint you tonight—and I do have a preference. One lyric
from the score is "Parents, make up your mind if you want children." I
hope those of you who do not have children heed this warning. I pray
those of you who do have children rededicate yourselves to raising the
precious future that rests in your hands. I hope you leave tonight
running away into life, tackling life's troubles head on, facing the
truth, and moving forward. As dark as the show is tonight, I hope you
leave with renewed hope—hope that any of life's problems can be dealt
with honestly, with integrity and a touch of humor—and hope that your
life is not so bad after all. I hope you enjoy the show!
Special Thanks
The Rev. Paul R. Abernathy
St. Mark’s Episcopal Church, Washington,
D.C.
Rosie Brooks and the St. Mark’s Dance
Studio
for gracious sharing of rehearsal space
Tracy Councill
for a thoughtful symbol for the show
The Orchestra
| Director |
Catherine Manley-Ebert |
| Piano |
Catherine Manley-Ebert |
| Percussion, Trap Set |
Eric Northern |
| Accessory
Percussion |
Mike Burnbaum |
| Saxophone |
Kevin Steffanic |
| Bass |
David Burrelli |
|
 |
Production Crew
|
Director |
Kevin Sockwell |
|
Producer |
RC Bates |
|
Music Director |
Catherine Manley-Ebert |
|
Choreographers |
Paula Grace Becker
Robert Moses |
|
Fight Choreographer |
Monalisa Arias |
|
Stage Manager |
Jeff Stevenson |
|
Assistant Stage
Manager |
Kay Pommerening |
|
Sign Language Instructor |
Libby McKnight |
|
Lighting Designer |
Jim Robertson |
|
Light Board
Operator |
Chris Byrne |
|
Sound Designer |
Edwin Morman |
|
Costume Designer |
Susan Tully |
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Set Designer |
Jeff Stevenson |
|
Properties Master |
Kathy Rehak |
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Set Construction
and Painting |
Chris Tully
Jeff Stevenson
Theo
Rutherford
|
|
Box Office Manager |
Jane Sherman |
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House Manager |
Beth Hall |
|
Photography |
Judith Soble |
|
Publicity |
Rick Hayes
Rosemary Harold |
|
Show Art |
Tracy Councill |
|
Program Production |
Pamela Blumgart |
|
Program Printing |
Beaver Press |
|
Liaison from the
Board of Directors |
Johnna Reeder |
The Cast
Misha Enayat
attends public school in Montgomery County (seventh grade) and has been
involved in theater, historical reenactment, and performing arts for
several years. She is an accomplished musician (viola and violin) as well
as an accomplished tormentor of her fourth grade brother. She loves to
read and expects, one day, to make a living as a writer.
Lauren
Gaston-Hawkins had her dramatic debut and
began her love of theater as Master Wu in a school production of The
Remarkable Journey of Prince Jen. Further school productions included
roles as Queen Gertrude in Hamlet and Fiona in The Giver. A
professional role as John in Leaving the Summerland was a special
highlight. Most recently she appeared as Laura in The Glass Menagerie.
She was a performing member of the KanKouran African Dance Troupe. Lauren
is a sophomore on the Head of School List at Sidwell Friends School. She
is thrilled to make her first appearance with the St. Mark's Players.
Hannah Haggerty
is ten years old. She goes to school at Hyde Elementary and is in the
fifth grade. She likes to sing, act, swim, and play basketball. She has
performed with the Washington Opera in Fidelio, La Boheme,
and Carmen. She was Lenore’s daughter in Fidelio. She sang
in the children’s chorus in La Boheme and Carmen. She also
appeared in Brigadoon, Hyde on Broadway, and Adventure
Theatre summer camp productions. She is so happy to be in Runaways.
Mattie Haggerty
is twelve years old and has five siblings. She is
in the seventh grade at
Hardy
Middle School in Washington, D.C. Her hobbies
are acting, piano, swimming, basketball, and horseback riding. Some
productions she has been in are Fidelio with the Washington Opera,
Brigadoon with Summer Musical Theatre Workshop, Newsies and
A Midsummer Night’s Dream at Hardy Middle School, and summer
productions at Adventure Theatre. She loves to act and sing and is
thrilled to be in Runaways.
Madeline Hall,
an eighth grader at Hardy Middle School, is very happy to be in
Runaways at St. Mark’s. Madeline has been in the St. Mark’s
productions of Lord of the Flies, The Best Christmas Pageant
Ever, and The Sound of Music, as well as the company’s
Twentieth Anniversary Gala. Madeline enjoys doing circus and hanging out
with her best friends Anu and Allison.
Eben Kuhns
is excited to be performing for the second time with the St. Mark's
Players. He was last seen here as Friedrich in The Sound of Music.
Some of his favorite roles have been Harold Hill in The Music Man (Aldersgate
Church Community Theater), Laurie in Little Women of Orchard House
(Young People's Theater), Reynard the Fox in The Mischief Makers
(Theater Alliance), Candlewick in Pinocchio, based on Six
Characters in Search of an Author (ACCT), Elmer Hopkin in The Best
Christmas Pageant Ever (Little Theatre of Alexandria), and Artie in
King Artie and the Knights of the Rad Table (YPT). He performed as a
student in a short documentary, Line of Fire (Gregg Watt
Productions), a political television advertisement, and a United Way
advertisement. He was thrilled to work as an extra in Chris Rock's movie
Head of State. When not acting, he enjoys swimming, reading, and
impersonating well-known celebrities. Thanks, Kevin, for this great
opportunity and thank you, Nathan and Morgan, for leaving your friends and
driving me to my many rehearsals!
Bobbie Legg
has enjoyed performing in college and community theater, as well as
performing in the theater of life. By day, Bobbie is a mental health
therapist, working with emotionally disturbed adolescents in a residential
treatment center. She owes her inspiration and passion in this show to the
teenagers she serves. Bobbie enjoys
hiking, playing soccer, and other creative pursuits. She notes that
all she loves in life is best when shared with her fabulous husband, Eric.
Ann Limberger
most recently appeared as Myrtle Mae Simmons in the Great Falls Players’
Harvey. Ann’s other
credits with the Great Falls Players
include I Remember Mama and All My Sons. Her favorite
role was portraying Katrina Van Tassel in The Legend of Sleepy Hollow
at Adventure Theatre. Ann is very excited to have been cast as an extra in
the Disney film National Treasure, starring Nicholas Cage—opening
in theaters in 2004. When she’s not busy acting, Ann works as a clinical
data analyst at a Rockville pharmaceutical company.
Samantha Gogol Lint
is thrilled to participate in her first St. Mark’s Players production.
Previously, she has been cast in Evita at Montgomery Playhouse and
several productions by American Music Stage, including as Tiny Tim in
Scrooge, in addition to appearing in Oliver and The Wizard
of Oz. She enjoys voice and viola lessons and is also a historical
reenactor at Claude Moore Colonial Farm.
Jack Moore
has appeared in several shows, including Guys and Dolls as Nicely
Nicely Johnson, and most recently as the timid Frederick in the St.
Anselm’s Abbey School production of Noises Off. When he’s not
acting, Jack writes movie reviews for his amateur Web site (ask him about
it) and performs stand-up comedy. This is Jack’s first show at St. Mark’s,
and he would like to thank Theo Rutherford for introducing him to the St.
Mark’s Players.
William Pommerening
is in the eighth grade at Williamsburg Middle School in Arlington,
Virginia. He has been performing on local stages since the age of 9. His
favorite roles have been Louis in The King and I with the Arlington
Players and Snoopy in You're a Good Man, Charlie Brown at
Williamsburg Middle School. After watching two sisters perform in previous
productions at St. Mark’s, William is excited to be cast in his first St.
Mark's production and is looking forward to honing his skills as a
rebellious teenager.
Aaron Reeder
is pleased to make his first appearance in the St. Mark’s venue in such an
emotive and thought-provoking show. Last seen in the
Kensington Arts Theatre’s inaugural
season, area premiere, and Ruby Griffith Award-winning musical
performance of Side Show (Jake), he has participated in an
assortment of musical productions,
from
42nd Street
and Music Man to Godspell and Pippin. He would
like to thank his family and friends for coming to
support him in another great winner, Runaways.
Armand T. Rice
is 15 years old and has been home-schooled his entire life. He is no
stranger to the stage and has a love of performance. This is his second
appearance in a St. Mark’s production and his second time working under
the direction of Kevin Sockwell; his first appearance was as Elmer Hopkins
in The Best Christmas Pageant Ever. In 2002 Armand performed in two
operas with the Washington Opera—The Queen of Spades with Placido
Domingo (the Russian boy captain) and La Boheme (a rich kid). Last
January he performed in the Concert Hall at the Kennedy Center with the
WPAS’s Men, Women, and Children of the Gospel Choir. Armand performed with
the Foundry Players in C.S. Lewis’s The Lion, the Witch, and Wardrobe
in the role of the dwarf in May. This summer Armand performed the roles of
Boyet, Dull, and Berowne in Love’s Labour’s Lost at the conclusion
of the Shakespeare Theatre’s Advanced Camp for Teens. Armand recently
began voice lessons at the James Weldon Johnson Community School of the
Performing Arts. In his spare time, Armand enjoys reading graphic novels,
Greek mythology, and comic books; playing lacrosse, football, and
basketball; engaging in percussive dance (tap, step, stage combat), and
collecting miniature cars and homey figures. When he grows up Armand wants
to be an actor, singer, dancer, comic strip artist, and animation artist.
Ashley Robinson
is excited to be in Runaways, her first musical in D.C. She hails
from Massachusetts and is in her first year at the University of
Maryland-College Park. Past performances include Twelfth Night
(Olivia), The Crucible (Tituba), Brigadoon (Jane), and
two original
shows—The French Butler (Emma Delamonde) and
Bearskin (the Gypsy). She is
currently in Stravinsky’s A Soldier’s Tale at Maryland. She has
also done choreography and directing and hopes to pursue these interests
at school. She’d like to thank her parents for their support, Bel Ai 3,
Erik & Drew, the wonderful cast and crew, and Kevin. Good luck!
Josh Soble
is in his sixth show with the St. Mark’s Players. Previous shows include
Oliver!, The Wizard of Oz, Pippin, The Best
Christmas Pageant Ever, and Lord of the Flies. He has also
performed with the Washington
School of Ballet in The Nutcracker and Our Town. He enjoys
swimming and running and is always looking for new challenges. He is a
sophomore at the Field School, where he also performs in plays. Josh hopes
you enjoy the show and looks forward to future shows with the Players.
Will (Woody)
Stewart, Jr. is excited to be making his
debut with St. Mark’s Players. He was most recently seen as Lamar in
Springfield Community Theatre’s
award-winning production of Godspell, in which he won Best
Supporting Actor in a Musical from the Alliance of Community Theatres.
Other notable roles include Linus (You’re A Good Man Charlie Brown),
Prince Dauntless (Once Upon A Mattress), Benny Southstreet (Guys
and Dolls), Marcellus Washburn (Music Man), and Burt Barry (42nd
Street). Woody is an associate degree candidate
with a music concentration and a minor in criminal justice at Northern
Virginia Community College. He would like to thank all his friends,
family, and most definitely Cathy, for their unending help, love, and
support.
Andy Tonken
has been involved in theater, film, radio, and print for nine years. As a
stage actor he has worked on more than fifteen shows, from community to
professional in venues large and small, including the Act III Young Adult
Theatre Company, Adventure Theatre, American Music Stage, the Arlington
Players, Children’s
Theatre, Education & Entertainment
Foundation, and Interact Theatre Company.
Andy can be seen on the PBS substation “PBS You,” as well as on VHS and
DVD in Rings, Kings and Things
with the Standard Deviants. As a voice talent, Andy has been heard
on WAMU 88.5 FM radio in Washington, D.C., as well as throughout D.C.’s
Metrorail system. Andy is ecstatic to be in Runaways, marking his
debut with St. Mark’s Players.
Alexis Truitt
is pleased to be back on the St. Mark’s stage after her last performance
as Francesca in West Side Story. She has recently been seen in D.C.
area schools as Crystal in Take the Bully by the Horns with the
Potomac River Theater Company. Some other favorite roles have been Alice
in Alice in Wonderland and a Red Rat Girl in Jekyl & Hyde.
She holds a bachelor’s degree in vocal performance from the Boston
Conservatory.
The Crew
Robert C. Bates
(Producer) is producing for the first time, after being house manager
(Wizard of Oz), box office manager (Dancing at Lughnasa), set
designer (Best Christmas Pageant Ever), stage manager (Albertine
in Five Times) and, most recently, construction foreman/stagehand (Sound
of Music) at St. Mark’s. He also does set design and stage management
at Bowie Community Theatre (where he is designing the set for Rehearsal
for Murder in February) and Colonial Players in Annapolis. Once the
curtain goes up, RC can only be seen on stage in blackouts between scenes.
Paula Grace Becker
(Choreographer). This is Paula’s twelfth
show with the Players, in one capacity
or another. Although she has periodically strayed to other
companies, she keeps getting sucked back into St. Mark's. When not on or
behind the stage, she can be found unclogging bogs, counting heron nests,
and propagating rare plants as her alter ego rare species ecologist.
Beth Hall
(House Manager) began her stage career with the St
Mark’s Players as stage
mom and costume finder for Madeline in Lord
of the Flies, and has since served as a kid
wrangler and prop finder for The Best Christmas Pageant Ever and as
a singing nun and Baroness dresser in The Sound of Music. Her day
job is with U.S. EPA in the Office of Ground and Drinking Water. Her other
jobs include serving on the exec board of the Hardy Middle School PTA. Her
thanks and love go to her husband, Loren (a St Mark’s emergency response
stagehand), for his patience, his support, and his eye for interesting
details!
Catherine
Manley-Ebert (Music Director) relocated
to the D.C. area four years ago from New York City, where she was active
as a chamber musician and concert pianist performing around the country
and in Europe. Cathy has served as musical director for several
organizations in the metropolitan area, including the Arlington
Players, Springfield Community Theater, Mount Vernon Community Children’s
Theater, and various high school and Metro Stage productions. Vocally she
has performed under conductors such as Sir Colin Davis, Claudio Abbado,
Seigi Ozowa (she wasn’t sure about the spelling), and Robert Shaw. She
works as an accompanist with several well-known singers and
instrumentalists and has collaborated with internationally known authors
on various musical projects. She maintains a full class of private
students and does professional coaching and has authored teaching and ear
training methods. Some of her awards include Artist in Residence for the
Foundation for the Arts in NYC, Best Musical Director for ACT, and several
concerto competitions.
Edwin Morman
(Sound Designer), a California native, served
ten years in the Air Force as an audiovisual director for the President of
the United States. He has since settled down into civilian life in D.C.
and is now an audiovisual consultant with Booz Allen Hamilton in McLean,
Virginia. Ed is in his third year with SMP. Originally brought to St.
Mark’s by pianist (now wife) Laurie Smith Morman to do last-minute sound
design for Pippin, he has since stayed on for
The Best Christmas Pageant Ever, You Can’t Take it With You,
Into The Woods, Driving Miss Daisy, Albertine in Five
Times, and The
Sound of Music. For other theaters in the area he has
done sound design
for
Sweet Charity (FP); The Scarlet Pimpernel (TCP); The
1940’s Radio Hour (SCT); I Do, I Do (Alden Theater); and A
Funny Thing Happened on the Way to the Forum (LTA). Favorite sayings
include, “If you can’t control your own singing voice, you may as well
control everyone else’s.”
Kay Pommerening
(Assistant Stage Manager) is serving in her first formal position behind
the scenes, but she helped with costuming for the SMP production of The
Sound of Music last spring and has performed multiple other stage mom
services over the years.
Kathy Rehak
(Properties) had so much fun on The Sound of Music she's
happy she was enticed into working with St. Mark's Players again. She has
worked with the Capitol Hill Theater Alliance, Woolly Mammoth Theatre, and
Washington Shakespeare Company over the past six years, and is proud to be
working with this group of talented artists. She thanks Jeff and RC, along
with her family, for all their support.
Kevin Sockwell
(Director) has served as a director, actor, volunteer, board member, and
board president for the St. Mark's Players since coming to the company in
1984. The St. Mark's Players is a company that he loves and will always
cherish wherever his travels take him. He thanks the wisdom and fortitude
of founders Mary Lou Coffman and Ellen Cardwell and key supporters such as
Mark Allen and Larry Cardwell. Thanks for the memories. He thanks his
wonderful and superb production team, stellar stage mangers Jeff and Kay,
and an excellent cast for making Runaways so much fun to direct.
Enjoy the show!
Jeff Stevenson
(Stage Manager) recently got out of the Navy and landed here in D.C.
Shortly thereafter he was befriended by a gentleman by the name of Jerry
Dale, who was stage managing The Sound of Music here at St. Mark’s.
One evening, not so long ago, Jerry
called and ask Jeff to help paint a set or two. Jeff got keys that
night and hasn't left since. He now sits on the board of directors for the
St. Mark’s Players and has never been happier. Thanks, Jerry!
Susan Tully
is happy to be back at St. Mark's once again. Her previous costume credits
include Pal Joey and The Best Christmas Pageant Ever at St.
Mark's, as well as 42nd Street,
Into the Woods, West Side Story, The Diviners, and
Reckless. Occasionally, she even gets to appear on stage. Many thanks
to the cast and crew, and much love to my wonderful husband, Chris.
The 2003-2004
Sponsors Circle
Archangels
Robert
C. Bates
The
Jordan Family
Michael
A. Pemberton and Chad M. Wilmer
Bill
and Kay Pommerening
The
Rutherford Family
Angels
The
Blumgart Family
Mark
Lindley
Kevin
Sockwell
Patrons
Margaret Crenshaw
Greg
Gay and Marlane Liddell
Inez
and Robert Lester and family
Jim and
Marilyn Meek
Walton
Moody
Brent
Stone and Family
Joseph
Tarantolo and Elissa Feldman
Sponsors
Betsey
Athey and Frank Lloyd
Kate
Blackburn
Lisa
Anne Kerwin
Buzz
March
The
Soble Family
Friends
Nikki
Felix
Ted
Piccone
Judy
Ross
The Sponsors Circle Contributors are a
major source of support for the St. Mark’s Players.
We
sincerely thank each of them for their generous contributions.
St. Mark’s Players’ Board of Directors
|
Lisa Anne Kerwin, President |
Jerry Dale |
|
Johnna Reeder, Vice President |
Rick Hayes |
|
Pamela Blumgart, Secretary |
Sarah Hoptman |
|
Rod Lawrence, Treasurer |
Jim Robertson |
|
Mark Allen |
Jane Sherman |
|
RC Bates |
Jeff Stevenson |
|
Kevin Billings |
|
|
Nancy
Van Scoyoc, Vestry Liaison |
St. Mark’s Episcopal Church
The
Rev. Paul R. Abernathy, Rector
Keith
S. Reas, Director of Music
St. Mark's Players Production Archive |