|
|
|
|
|
The St.
Mark's Players Proudly Present

STEEL
MAGNOLIAS
by Robert Harling
Directed by Jessie Marshall
Produced
by special arrangement with Samuel French
March
5, 6, 12, 13, 19 & 20, 2004, at 8PM
March 7
& 14, 2004, at 3PM
The Players
| Annelle |
Kathryn Wanschura |
| Ouiser |
Kathy Keating |
| Shelby |
Cassie Lee |
| M'Lynn |
Kate Blackburn |
| Clairee |
Lee Knorr |
| Truvy |
Jo Klein-Duke |
All
action takes place in Truvy's Salon in Chinquapin, Louisiana.
Act I
| Scene 1 |
April 1984 |
| Scene 2 |
December 1984 |
Act II
| Scene 1 |
June 1986 |
| Scene 2 |
November 1986 |
The Crew
| Director |
Jessie Marshall |
| Producer |
Beth Hall |
| Co-Producer |
Johana McCarthy |
| Stage Manager |
Erin Steenson |
| Assistant Stage
Manager |
Taylor Walters |
| Dialect Coach |
Emily Laughlin |
| Lighting Design |
Jeff Auerbach |
| Light Board
Operator |
Ben
Roberts
Rachel Lane |
| Sound Design |
Edwin Morman |
| Sound Operator |
RC
Bates |
| Costume Design |
Jo
Rake |
| assisted by |
Kim
Oathout |
| Hair Design |
Beth Abrams |
| Properties |
Taylor Walters |
| Set Running Crew |
Molly Blumgart
Madeline Hall
Rachel Lane
Jan Mooneyham |
| Set Design |
R.
Cary Blackwelder-Plair |
| Hydroengineer |
Jon
Roberts |
| Set Construction |
RC Bates
R. Cary Blackwelder-Plair
Molly Blumgart
Chris Byrne
Loren Hall
Madeline Hall
Rachel Lane
Bobbie Legg
Eric Legg
Jessie Marshall
Jack Moore
Devin Nichols
Jon Roberts
Ben Roberts
Chris Tully |
| Box Office Staff |
Mark Allen
Pamela Blumgart
Jane Sherman |
| House Manager |
Lisa Kerwin |
| Photography |
Judith Soble |
| Publicity |
Rosemary Harold
Pamela Blumgart |
| Show Logo |
Jane Sherman |
| Program
Production |
Pamela Blumgart |
| Program Printing |
Beaver Press |
| Scheduling |
Mark Allen |
| Liaison From the
Board of Directors |
Jeff Stevenson |
|
Director’s Notes
Jessie Marshall
Director’s notes usually
present the director’s vision of the show or the message the director was
hoping to get across to the audience in the production. However, Steel
Magnolias is a well-known, well-loved piece of theater, and I don’t
think that’s necessary, especially since I would rather devote my director’s
notes to my cast.
This ensemble of women is
phenomenal. From the first read-through of the play to the battles we’ve had
with the weather, they have embodied my vision of the play and brought it to
life. These six women have not only shown their theatrical talent and
experience in the way they have worked on their roles, but they have also
shown their care for each other and support for each other in the way the
characters in Steel Magnolias do. They lingered after rehearsal to talk with
each other about things other than the show and to make sure that everyone
had a safe way to get home. Their suggestions through the rehearsal process
were not only aimed at making themselves more successful in their roles, but
also in making sure that others were finding and getting what they needed in
creating and developing their characters. In the truest sense of the word,
they are an awesome group of magnificent actresses. I am honored to have had
the opportunity to work with all of them.
Special Thanks to
The Rev. Paul R. Abernathy
St. Mark’s Episcopal Church,
Washington, D.C.
The Ratner Companies/Ratner Family
for lending us the shampoo sink
and chair and the styling chairs
Pam Mangan of Blue Sun Gallery
for the poinsettia earrings
Colonial Players, Annapolis,
for Truvy’s neon
sign
Beth Abrams of
Fiddleheads Hair Studio
for help
with hair
Dave Moretti
for help with lights and shirts
Loren Hall for the sounds of KPPD
RC Bates for efforts above
and beyond the call
of duty
Bruce Ward for all his help
Kevin Kosty, St. Mark’s Church
Beaver Press
for program printing
and for their flexibility
|
 |
The Cast
Kate Blackburn (M'Lynn) is glad to be
“home again” at St Mark’s. She has been seen here in Dancing at
Lughnasa and Driving Miss Daisy. Her theater adventures
have taken her to about a dozen other local and regional companies, most
recently in The Heiress at the Bowie Playhouse. Kate is about to retire
from the Quality Assurance group at Marriot and is looking forward to more time
for theater and grandchildren.
Kathy Keating (Ouiser) has
spent much of her life in some phase of theater or another since she graduated
with a BFA in Drama from Ithaca College. While raising her family and living in
many different states, she has kept her hand in as a performer, director, acting
coach, and jack of all trades. Semi-retired now, she enjoys just auditioning and
dabbling in films as an extra and serving as a companion to her Aunt Diane, who
made her education possible. "No one had to ask what role I was playing!" laughs
Kathy.
Jo Klein~Duke (Truvy Jones) is
delighted to be working with such a wonderful cast and production staff. She was
last seen in DC as Ginger Snapp at the International Spy Museum production of
Spy Game in December, and she portrayed Lettice in A Murder at the
Vicarage with the Mt. Vernon Players in 1993. In between she married and
moved to the suburbs of Maryland, where she performs regularly with Montgomery
Playhouse, the Damascus Theatre Company, and Sandy Spring Theatre Group.
Favorite characters in her past include Diana of All’s Well that Ends Well,
Kate Hardcastle of She Stoops to Conquer, Catherine of The
Foreigner, and Rose in Dancing at Lughnasa. Prior to her own
production of two wild and wonderful children, she worked professionally in
theater companies from Germany, along the Eastern Seaboard, to California. She
is now employed as an arts programmer for the Gaithersburg Arts Barn, a 99-seat
theater. Her heartfelt thanks to husband Andy for encouraging her to pursue her
passion. This performance is dedicated to Jo’s own Aunt Bettie, a true Steel
Magnolia.
S. Lee Knorr (Clairee) has
performed previously with the St. Mark’s Players in The Best Christmas
Pageant Ever as Helen Armstrong and in Albertine in Five Times as
Albertine at 70. During 2003 Lee also enjoyed reprising her role as Ethel P.
Savage in The Curious Savage with the Serenity Players and acting as
Lillian in the independent film In Search of Glory. She also appeared as
Renee Kemp in Yes, Mamet at the Silver Spring Stage and as Euryclea in
The Comeback with the Barnstormers Theatre Company. A big thank you goes to
Jessie for this wonderful chance to “be” Clairee with this talented cast of
Magnolias. As always, love to Cliff for his encouragement and support.
Cassie Lee (Shelby) is very
pleased to be making her St. Marks Players debut. Most recently she was seen as
Elizabeth Proctor in the Hard Bargain Players’ production of The Crucible.
Other favorite roles include Maggie in Cat on a Hot Tin Roof (TCP),
Madame de Tourvel in Dangerous Liaisons (VTC), and Rita Boyle in Prelude to a
Kiss (SSS). Cassie would like to thank Jessie and the rest of the cast and
crew for a great run and, as always, thanks to her wonderful sisters and
favorite CL.
Kathryn Wanschura (Annelle)
last traipsed about the stage as Celia in As You Like It with Shakespeare
in the Parque. Prior to that she had been heard, but not seen, as a voice
interpreter for Gallaudet University’s production of The Boys Next Door.
Other local acting credits include Museum with Cedar Lane Stage, The
Art of Abundance with Laurel Mill Playhouse, Dinosaur with Adventure
Theatre, and Hair (many moons ago) with the Elden Street Players. In her
non-theater spare time, she performs with Bread & Roses Feminist Singers, paints
pottery, and takes a class here and there. Many thanks to my family and friends
who have come out to see the show, and my sincerest admiration for every
hairstylist out there.
The Crew
Jeffrey Scott Auerbach
(Lighting Designer) is happy to be working with Jessie and SMP again. This is
his second show with Jessie, first was Driving Miss Daisy also produced
here at St. Mark’s. Hmmm, there seems to be a southern theme here. Jeff has a
BFA in Theater Tech and Design with an emphasis in lighting from George Mason
University. He has been designing for local community theater groups for the
last few years and has received nominations for outstanding lighting design from
the ACT and WATCH award organizations. Jeff would like to thank Jerry for all
his hard work as well as for all his help. He would also like to thank his Mom
and Dad, Dave, and David for all of their support over the years. Jeff hopes
that you enjoy the show.
Robert C. Bates (Sound) has
done just about everything now at St. Mark’s Players: house managing, stage
managing, box office, producing, and sound; he even had walk-on parts in
Runaways last November. After Steel Magnolias, RC will be stage
managing Rebecca at Colonial Players in Annapolis.
R. Cary Blackwelder-Plair (Set
Design) is a recent transplant to Washington, D.C., from Arkansas, where he
completed his degrees in Architecture and Stage Set Design. He currently works
for an architecture firm in DC. Currently his design work can be seen in the
Actors’ Theatre of Washington’s production of The F-Word, a premiere play
by Jordan Beswick. He designed/built the sets for Driving Miss Daisy and
the cow, Milky White for Into The Woods, both for SMP. Before moving to
DC he worked on Grease, How I Learned to Drive, Noises Off,
and The 1940’s Radio Hour at the University of Arkansas. This design is
for STP.
Molly Blumgart (Stage Hand) is
serving as a stage hand for the first time. She has performed in a number of SMP
productions—Joseph and the Amazing Technicolor Dreamcoat, The Wizard
of Oz, The Best Christmas Pageant Ever, the St Mark’s Anniversary
Gala, and The Sound of Music—as well as several high school shows.
She hopes to take part in future St Mark’s productions.
Beth Hall (Producer) began her
stage career with the St Mark’s Players as stage mom and costume finder for
Madeline in Lord of the Flies, and has since served as a kid wrangler and
prop finder for The Best Christmas Pageant Ever, a singing nun and
Baroness dresser in The Sound of Music, and house manager and tech feeder
for Runaways. Her day job is with U.S. EPA in the Office of Ground and
Drinking Water. Her other jobs include serving on the exec board of the Hardy
Middle School PTA. Beth dedicates her efforts on this show to her late aunt,
Vivian Wagner, a Midwestern magnolia!
Madeline Hall (Stage Hand) has
appeared on stage in several SMP productions, including Runaways, The
Sound of Music, The Best Christmas Pageant Ever, the Anniversary
Gala, and Lord of the Flies. She is in 8th grade at Hardy Middle School.
Concurrent with her stage hand and set construction efforts for Magnolias, she
is appearing in her school play in March.
Rachel Lane (Stage Hand, Light
Board Operator) is working backstage with SMP for the second time, having served
as a stage hand during The Sound of Music last spring. She’s been
involved in many more shows here, performing in Miracle on 34th
Street, Joseph and the Amazing Technicolor Dreamcoat, The Wizard
of Oz, Lord of the Flies, and the St. Mark’s Players 20th
Anniversary Gala. Rachel looks forward to continued work with SMP.
Jessie Marshall (Director) has
an MFA degree in Acting from Brandeis
University and has performed in a number of productions in
New York City. She has directed for the Temple Rodef Shalom Players (TRSP)
in Falls Church, including the annual Purim musical, Neil Simon’s Fools
and Alfred Uhry’s The Last Night of Ballyhoo. Her acting credits include
Ruth in the Springfield Community Theatre’s production of Later Life, Ida
in the TRSP production of The Cemetery Club, and Lady Montague in the
Elden Street Players’ Romeo & Juliet. Jessie directed Driving Miss
Daisy for St. Mark’s Players and Dearly Departed and The
Fantastiks for Dominion Stage. Endless love and thanks to Jon for his love,
help, and support.
Johana McCarthy (Co-Producer)
has always been attracted to the artistic dynamic of theater. In this
opportunity to be a producer, she has found her background as a lawyer and
social worker a useful dimension for working with a wonderful group of dedicated
theater people and the community. Johana enjoys taking courses in English,
acting, playwriting, theater management, and graphic design at the University of
the District of Columbia.
Jan Mooneyham (Stage Hand) is
an attorney and patent examiner at the Patent & Trademark Office. This is her
second experience with the St. Mark’s Players, following her stint as a stage
manager for Driving Miss Daisy in November 2003. She has also worked on
Romeo & Juliet (Elden Street Players) and Dearly Departed, which
Jessie Marshall also directed.
Edwin Morman (Sound Designer),
a California native, served 10 years in the Air Force as an audiovisual director
for the President of the United States. He has since settled down into civilian
life in D.C. and is now an audiovisual consultant with Booz Allen Hamilton in
McLean, Virginia. Ed is in his third year with SMP. Originally brought to St.
Mark’s by pianist (now wife) Laurie Smith Morman to do last-minute sound design
for Pippin, he stayed on for The Best Christmas Pageant Ever,
You Can’t Take it With You, Into The Woods, Driving Miss Daisy,
Albertine in Five Times, The Sound of Music, and Runaways.
For other theaters in the area he has done sound design for Sweet Charity
(FP); The Scarlet Pimpernel (TCP); The 1940’s Radio Hour (SCT);
I Do, I Do (Alden Theater); and A Funny Thing Happened on the Way to the
Forum and The Ritz (LTA). Favorite sayings include, “If you can’t
control your own singing voice, you may as well control everyone else’s.”
Jo Rake (Costume Design)
Steel Magnolias is the fourth show Jo has costumed for SMP (You Can’t
Take It With You, Albertine in Five Times, The Sound of Music), soon to be
followed by a fifth (1776). Jo first became involved with costumes by
being the only cast member with a sewing kit during a repair
emergency crisis for
Oliver; she
then found there was a use for her history degrees and sewing
skills after all. Jo’s local theater credits include You Can’t Take It With
You (Mrs. Kirby) and The Sound of Music (Frau Schmidt) for SMP; A
USO Christmas, Great Dames (Marie Antoinette), The Scarlet Pimpernel
and Jekyll & Hyde with TCP; and Me and My Girl (Lady Battersby)
and The Music Man with 2nd Star Productions. Jo’s next stage
appearance will be as Kathleen in TCP’s May production of Ragtime.
Ben Roberts (Light Board
Operator) is returning to the theater after starring as the attorney in The
Westing Game in the fourth grade at the Churchhill Road School and as a
member of the chorus in the Megillah According to Broadway by TRSP. This
time he is operating the lights. Ben is in the eighth grade at the new school of
Northern Virginia.
Jon Roberts (Hydroengineer) is
returning to the theater after playing Kevtcho in the Megillah Movie Madness,
the father in the Megillah According to Mickey, and Mordecai in the
Megillah According to Broadway, all with TRSP. Jon also sang with the
National Symphony Orchestra and the Paul Hill Chorale for 11 years and served
four years on the board of directors of the National Choral Foundation. He is an
avid guitar player. Tonight, when you see running water, that's Jon at work. He
also wants to sincerely thank Jessie for his thespian re-awakening.
Erin
Steenson (Stage Manager) is
thrilled to be working with the St. Mark's Players for the first time. Usually
on stage rather than behind stage, she has enjoyed playing such roles as Hero in
Much Ado about Nothing and 7014 in Here Comes Mr. Jordan. Her most
recent role was in Vienna Theater Company's production of Our Town, which
earned her a WATCH nomination for Outstanding Cameo in a Play. She thanks
Jessie, Beth, and Johana for the opportunity to gain new perspective as a stage
manager, and she thanks John for his tremendous love and support.
Jeff Stevenson (SMP Board
Liaison) recently got out of the Navy and landed here in the DC area. He worked
as a stage hand on the SMP production of The Sound of Music; after that,
he was hooked. He was the stage manager and set designer for the SMP production
of Runaways last fall. Currently Jeff is serving as assistant stage
manager for The Ritz at the Little Theater of Alexandria as well as SMP
board liaison to this production. Also this spring, Jeff is stage managing the
Mt Vernon Community Children's Theater production of Anne of Green Gables.
Taylor Walters (Properties
Mistress) joins the crew of SMP after a lengthy hiatus from the theater.
Last seen on stage in the opera
Dido and Aeneas at American
University, she is a member of the Alexandria Singers and a diehard swing
dancer. Taylor spends her work days at Friendship Edison Junior Academy and
splits her Sundays between St. Mark’s and Dumbarton UMC, where she is a mentor
for the confirmation class and youth program. Thanks to Beth Hall for the
invitation to get involved!
Theater
Abbreviations
|
CP = Colonial Players
FP = Foundry Players
LTA = Little Theatre of Alexandria
SCT = Springfield Community Theatre |
SSS = Silver Spring Stage
TCP = Tantallon Community Players
TRSP = Temple Rodef Shalom Players |
The 2003-04 Sponsors Circle
Sponsors’ Circle contributors are a major source of
support for the St. Mark’s Players. We sincerely thank each of them for
their generous contributions.
Archangels
Robert C. Bates
The Jordan Family
Bill and Kay Pommerening
The Rutherford Family
Chad M. Wilmer and Michael A. Pemberton
Angels
The Blumgart Family
Patrons
Margaret Crenshaw
Greg Gay and Marlane Liddell
Inez and Robert Lester and family
Jim and Marilyn Meek
Walton Moody
Brent Stone and Family
Joseph Tarantolo and Elissa Feldman
Sponsors
Betsey Athey and Frank Lloyd
Kate Blackburn
Lisa Anne Kerwin
Buzz March
The Soble Family
Friends
Nikki Felix
Ted Piccone
Judy Ross
St. Mark’s Players’ Board of Directors
|
Lisa Anne Kerwin, President |
Pamela Blumgart |
|
Johnna Reeder, Vice President |
Jerry Dale |
|
RC Bates, Secretary |
Sarah Hoptman |
|
Rod Lawrence, Treasurer |
Jim Robertson |
|
Mark Allen |
Jane Sherman |
|
Kevin Billings |
Jeff Stevenson |
Nancy Van Scoyoc, Vestry Liaison
St. Mark’s Episcopal Church
The Rev. Paul R. Abernathy, Rector
The Rev. Shearon Sykes Williams, Assistant Rector
Keith S. Reas, Director of Music
St. Mark's Players Production Archive |