|
|
|
|
|
|
|
|
Directed by Jessie Marshall
~ Produced
by Chad M. Wilmer
November
8, 9, 10, 15, 16, 17, 22 & 23, 2002
St.
Mark's Episcopal Church
3rd
and A Streets, SE, Washington, DC
|
THE
PLAYERS
| Miss
Daisy Werthan |
Kate
Blackburn
|
| Boolie
Werthan |
Michael
A. Pemberton |
| Hoke
Colburn |
Derrick Lampkins |
The
play takes place from 1948 to 1973, mostly in Atlanta, GA.
|
DIRECTOR'S
NOTES
By
Jessie Marshall
Driving Miss Daisy and The
Last Night of Ballyhoo, the Southern Jewish plays of Alfred Uhry,
appear to be rather straightforward comedy/dramas.
However, they are anything but straightforward.
Using common situations, he forces us to look at the issues of
prejudice and understanding in innovative and disturbing ways.
The crisis of whether a young woman will be asked to the social
event of the year in Ballyhoo and the curtailing of a vibrant woman’s freedom of
movement in Daisy are merely
backdrops against which Uhry shows us how all forms of prejudice are
damaging to all involved. Even
more importantly, the resolution of these plays teach us that taking the
effort to find the person behind the prejudice on both sides brings
immeasurable depths of understanding and even affection or love as well
as the breaking down of the prejudice itself.
As you watch Driving Miss
Daisy, be aware of the way the play builds up and then tears down
the walls of the many different kinds of prejudice that exist among the
characters. But above all,
enjoy the show! |

|
PRODUCTION
CREW
|
Director |
Jessie Marshall
|
|
Producer |
Chad
M. Wilmer
|
|
Assistant
Producer |
Sam Simon
|
|
Stage
Managers |
Kathryn
Hewlett-Jobes
Jan Mooneyham
|
|
Lighting
Designer |
Jeffrey Scott Auerbach
|
|
Sound
Designer |
Edwin Morman
|
|
Costume
Designer |
Kelley Wells
|
|
Set
Designer |
R. Cary
Blackwelder-Plair
|
|
Properties
Masters |
Kathryn
Hewlett-Jobes
Jan Mooneyham
|
|
Hair
and Makeup Design |
Catherine J. Young |
|
Lighting
Crew |
David
Clement
Jessie
Marshall
Michael A.
Pemberton
Christopher
Tully
Chad
M. Wilmer
|
|
Set
Construction |
R. Cary Blackwelder-Plair
|
| Assisted by
|
Patrick
Brady
Jessie
Marshall
Geoff
Rake
Sam
Simon
Chad
M. Wilmer
|
|
Set
Painting
|
R. Cary
Blackwelder-Plair
Chad
M. Wilmer
|
| Assisted
by |
Patrick
Brady
Geoff
Rake
George
Schlosser
Gerald Stacy
|
| Set
Decoration/Set Dressing
|
Kathryn Hewlett-Jobes
Jan Mooneyham
|
| Light
Board Operator |
Chris
Byrne
Rick Hayes
|
| Set
Running Crew |
Lisa Anne
Kerwin
Jan Mooneyham
Kelley Wells
Chad
M. Wilmer
|
|
Box
Office Manager |
Chad
M. Wilmer
|
|
Box
Office Staff |
Pamela
Blumgart
Terri Ann
Lowenthal
Jane
Rutherford
Brenda Shaw
|
|
House
Manager |
Lisa Anne Kerwin
|
| Publicity |
Sam
Simon
Chad
M. Wilmer
|
|
Program
Production |
Michael
A. Pemberton
|
|
Program
Printing |
Beaver Press
|
|
Logo
Design |
Chad
M. Wilmer
|
|
Photographer |
Sam
Simon
Chad
M. Wilmer |
|
Liaison
From the Board of Directors |
Rick Hayes |
SPECIAL
THANKS
Rev.
Paul R. Abernathy
St.
Mark’s Episcopal Church, Washington,
DC
Steve
and Maria Conway
Isa
Engleberg
Mitch
and Melissa Front
Penny
Garner
Patti
Horrall
Lynn
Luthey
Jim
Robertson and R&R Lighting
Temple
Rodef
Shalom Players
Bill
Wells
THE
CAST
Kate
Blackburn
(Daisy Werthan) – Kate is partial to Southern characters (M'Lynn and Jessie
Mae and others) and Jewish characters (numerous Neil Simon gals).
With Miss Daisy, she gets both. Being
on stage has been a lifelong endeavor. Last
time at St. Mark’s, she was Dancing at
Lughnasa. What a joy the Daisy cast and staff have been!
Thank you Jessie for your sensitive direction!
Derrick Lampkins (Hoke
Colburn) – Derrick is a native of the
Washington,
DC
metropolitan area. Formerly a
professional boxer, Derrick returned to the arts field after he retired from
boxing. Derrick also studied at the
University of the
District of Columbia, where he was a Mass Media major, and at the National Conservatory of Dramatic
Arts. His most recent credits
include Why Black Men Play Basketball,
The Lottery, and Henrietta
Marie, a staged reading.
Michael A. Pemberton (Boolie
Werthan) – It’s been a long time since Michael has been on the SMP stage and
wasn’t backed up by an orchestra. The
last time that happened was in Galileo,
over four years ago. This is
Michael’s fifth time on the St. Mark’s stage, and he is also President of
the company. He has truly enjoyed
playing a part that he’s always wanted to play, and now is old enough to do
so. Michael’s abilities are truly
stretched with this role. He was
raised Baptist, works for The Catholic University of America as the Assistant
Treasurer, and is portraying a Jewish printing business owner in an Episcopal
church. Thank you for coming.
Love to my own Florine—you have everything to do with it.
THE
PRODUCTION CREW
Jeffrey Scott Auerbach (Lighting
Designer) – This is Jeff’s fifth season at St. Mark’s.
He has enjoyed the five lustrously creative and challenging years with
the Players. Some of his credits
here include Into the Woods, Pippin, and Joseph and the Amazing
Technicolor® Dreamcoat. He has
also had credits at other local community groups like PCP, SCT, FP, and TAP.
He has future shows coming up such as A
Funny Thing Happened on the Way to the Forum at LTA and Plaza
Suite at TAP. He sends his love
to his family and the ever-important Davids.
Very special thanks go out to
Chad
W. and Mike P. Enjoy the
show.
R.
Cary
Blackwelder-Plair (Set
Design) –
Cary
recently graduated from the
University
of
Arkansas
with a degree in Architecture and Stage Set Design.
This is
Cary’s first set design for the St. Mark’s Players.
Earlier this year he constructed Milky White for the SMP production of Into
The Woods.
Cary
has also worked on productions of Grease,
How I Learned To Drive, Noises
Off, and The 1940’s Radio Hour.
This design is for STP.
Kathryn Hewlett-Jobes
(Co-Stage Manager, Co-Properties Mistress) – Kathryn is fairly new to the
Washington
community theatre scene, and is delighted to be working with such a talented
cast and crew. As assistant stage
manager for ESP’s Romeo and Juliet,
now co-stage manager for this wonderful show—who knows where this career
trajectory will lead?
Jessie Marshall
(Director) – Jessie’s theatre background is based on an MFA degree in Acting
from
Brandeis
University
and performances in a number of productions in
New York City. She has directed for the Temple
Rodef Shalom Players (TRSP) in
Falls Church, including the annual Purim musical, Neil Simon’s Fools,
and Alfred Uhry’s The Last Night of
Ballyhoo. This summer, she
appeared as Ida in the TRSP production of The
Cemetery Club and as Lady Montague in ESP’s production of Romeo
& Juliet. In 2003, she will
direct Dearly Departed at DS and then
return to TRSP for the spring Purim extravaganza.
This is her first opportunity to work with St. Mark’s Players.
Her sincerest thanks go to
Chad, Rick, and Michael for their terrific support and to this fantastic cast and
crew for their hard work and dedication.
Jan Mooneyham (Co-Stage
Manager, Co-Properties Mistress) – With only one play under her belt with ESP
as an assistant stage manager and costume assistant, Jan returns as co-stage
manager for Driving Miss Daisy. Thanks
to Jessie for the opportunity and the encouragement.
This is quite a diversion from her real life where she works as a patent
examiner. From the dull to the
exciting!
Edwin Morman (Sound
Designer) – Ed, a California native, served ten years in the Air Force as an
Audio Visual Director for the President of the United States.
He has since settled down into civilian life in DC, and is now an Audio
Visual Consultant with Booz Allen Hamilton in
McLean,
VA.
Edwin is in his second year with
SMP. Originally brought to St.
Mark’s by pianist, now wife of 11 months, Laurie Smith Morman, to do
last-minute sound design for Pippin,
he has since stayed on for The Best
Christmas Pageant Ever, You Can’t
Take it With You, and Into The Woods.
For other theaters in the area he has done sound design for Sweet
Charity (FP), The Scarlet Pimpernel (TCP),
The 1940’s Radio Hour (SCT), and I
Do, I Do (Alden Theater). He is
currently also working on A Funny Thing
Happened on the Way to the Forum (LTA).
Favorite sayings include, “If you can’t control your own singing
voice, you may as well control everyone else’s.”
Samuel A. Simon
(Assistant
Producer) – Sam has performed in a number of roles in performances of the
Temple Rodef Shalom Players, including the role of Adolph in The
Last Night of Ballyhoo, also written by Alfred Uhry; the Father in Neil
Simon's Fools; and several roles in holiday musicals.
He served as Producer for TRSP’s The
Magillah According to Broadway.
Kelley Wells (Costumer)
– Kelley is a trademark lawyer. This
is her first effort as a costumer. She’s
really happy that there are only three characters in the play.
Kelley would like to thank her supportive and generous friends for their
costume donations and help and would like to thank the director, Jessie
Marshall, for giving her this opportunity.
Chad
M. Wilmer (Producer) – This is
Chad’s fourth season with SMP. Spending
most of his time behind the scenes,
Chad
has worked on Pal Joey, The
Wizard of Oz, and Pippin, as well
as filling the roles of Board Member and Webmaster for the Players.
Last season
Chad
produced the Players’ production of Into
the Woods, and SMP’s NVTA One-Act Festival entry, Snowangel.
Branching out,
Chad
has also recently performed with RMT and PCP.
Chad
is Training Manager for the Litigation Support Division of CACI Inc., working
with the U.S. Department of Justice.
Chad
would like to thank the cast and crew for making this experience as Producer a
pleasure. You’re a doodle, Michael.
Catherine J. Young (Hair
and Make-Up) – Cat is excited and honored to be joining the St. Mark’s
Players and the cast of Driving Miss Daisy.
Cat last worked with SMP assisting with makeup for Into
the Woods. She is currently in
rehearsal for A Funny Thing Happened on
the Way to the Forum with LTA, and has also performed with TAP.
She is the Special Events Coordinator for The Catholic University of
America, and lives in
Arlington
,
VA.
Theatre Abbreviations
| DS =
Dominion Stage
|
ESP =
Elden Street
Players
|
| FP =
Foundry Players
|
LTA = Little Theatre of Alexandria
|
| NVTA
= Northern Virginia Theatre Alliance
|
PCP =
Port
City
Playhouse
|
| RMT =
Rockville Musical Theatre
|
SCT = Springfield Community Theatre
|
| SMP =
St. Mark’s Players
|
TAP = The Arlington Players
|
| TCP = Tantallon
Community Players
|
|
ST.
MARK'S PLAYERS MISSION STATEMENT
The St. Mark’s Players is a participatory company that uses theater to explore our lives – theologically and personally – and to serve our community and the St. Mark’s Parish.
St.
Mark’s Players’ Board of Directors
| Michael
A. Pemberton, President
|
Sarah Hoptman |
| Johnna
Reeder, Vice President |
Josie Jordan
|
| Rick
Hayes, Secretary
|
Anya Nebel
|
| Rod
Lawrence, Treasurer
|
William D. Parker
|
| Kevin
Billings |
Jim Robertson
|
|
Pamela
Blumgart
|
Chad
M. Wilmer |
|
Russ Colman
|
|
Tracey
Councill, Vestry Liaison
St.
Mark’s Episcopal Church
The
Rev. Paul R. Abernathy, Rector
The
Rev. Stephanie Nagley, Associate Rector
Jennifer
S. Drganc, Director of Youth Ministries
Keith
S. Reas, Director of Music
Adam
A. Martinelli, Director of Children’s Choirs
The St.
Mark’s Players
118
Third Street, SE
Washington,
DC 20003
(202)
546-9670
Visit
our website:
www.stmarksplayers.org
THE
2002-2003 SPONSORS CIRCLE
Archangels
The
Jordan
Family
Michael
A. Pemberton & Chad
M. Wilmer
Peter
and Kathryn Kistler Powers
The
Rutherford
Family
Kevin
Sockwell
Angels
The
Rev. Paul and Pontheolla Mack Abernathy
John
and Sue Kamp
Robert
and Inez Lester
Patrons
Eileen
Blumenthal
The
Castillo Family
Sponsors
Richard
Dobson
Lisa
Anne Kerwin
Jim
and Marilyn Meek
Business
Members
Congressional
Title and Escrow, Inc.
National
Capital Bank of Washington
Schneider’s
of Capitol Hill
The Sponsors Circle Contributors are a major source of support for the St. Mark’s Players.
We sincerely thank each of them for their generous contributions.
St. Mark's Players Production Archive
|