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The St. Mark’s Players proudly present

By
Michel Tremblay
Translated
by John Van Burek and Bill Glassco
Performed
by special arrangement with the author.
Directed
by Ingrid Cornell
Produced
by Sandra Cushner & Michael A. Pemberton
March
14, 15, 21, 22, 28 & 29, 2003, at 8PM
March
16 & 30, 2003, at 3PM
St.
Mark's Episcopal Church, 3rd & A Streets, SE, Washington, DC
20003
The
Players
| Madeleine |
Vanessa
Allegra |
| Albertine
at 30 |
Sonni
Watkins |
| Albertine
at 40 |
Kera
Jordan |
| Albertine at 50 |
Toni
Cooper |
| Albertine at 60 |
Janice
A. Bailey |
| Albertine at 70 |
S. Lee
Knorr |
The
play takes place in various locations and times:
Albertine
at 30: The veranda of her
mother’s house at Duhamel, Québec, in 1942
Albertine
at 40: The balcony of the
house on la rue Fabre in Montréal, Québec, in 1952
Albertine
at 50: The counter of the
restaurant in parc Lafontaine in Montréal, Québec, in 1962
Albertine
at 60: Her bed (in the house
on la rue Fabre) in Montréal, Québec, in 1972
Albertine
at 70: A home for the
elderly in Montréal, Québec, in 1982
Madeleine
has no age. She acts as
confidante to the five Albertines.

Production
Crew
| Director |
Ingrid
Cornell |
| Producers |
Sandra
Cushner and Michael A. Pemberton |
| Stage
Manager |
Robert
C. (RC) Bates |
| Lighting
Designer |
Jim
Robertson |
| Sound
Designer |
Edwin
Morman |
| Costume
Designer |
Jo
Rake |
| Set
Designer |
Gregory
McLellan |
| Properties
Masters |
RC
Bates
Gregory
McLellan |
| Hair
Design |
Columbia
Impraim |
| Lighting
Crew |
Michael
A. Pemberton
Christopher
Tully |
| Set
Construction |
RC
Bates
Gregory
McLellan |
| -
Assisted by |
Adán
Aguirre Arriaga
Jen
Keller
Brian
Reilly |
| Set
Painting |
RC
Bates
Gregory
McLellan |
| -
Assisted by |
Adán
Aguirre Arriaga
Sandra
Cushner
Jen
Keller
Brian
Reilly |
| Set
Decoration/Set Dressing |
RC
Bates
Sandra
Cushner
Gregory
McLellan
Michael
A. Pemberton |
| Light
Board Operator |
Chris
Byrne |
| Set
Running Crew |
Adán
Aguirre Arriaga
Jen
Keller
Nora
Kepes
Gregory
McLellan
Brian
Reilly |
| Dialect
Coach |
Bill
Palander |
| Box
Office Manager |
Chad
M. Wilmer |
| House
Manager |
Lisa
Anne Kerwin |
| Publicity |
Ingrid
Cornell
Sandra
Cushner
Michael
A. Pemberton
Embassy
of
Canada |
| Program
Production |
Michael
A. Pemberton |
| Program
Printing |
Beaver
Press |
| Logo
Design |
Gregory
McLellan |
| Photographer |
Adolph
Parkins |
| Liaison
From the Board of Directors |
Josie
Jordan |
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Director’s
Notes
By
Ingrid Cornell
Albertine in Five
Times proves to be one of the best plays for all audiences
to see and for every actor to play in, with a bang! When
I first read Albertine in
Five Times, I immediately identified with every part of who
Albertine is, whether it be my own experience or through the
eyes and experiences of the women in my own family. I
love the way Michel Tremblay, being a man, has effectively
penned the inner struggle that is particular to most women. He
brought out the issues that often stigmatize the female gender
throughout society.
I've
been asked to address a particular issue concerning my method or
choice in casting Albertine
in Five Times. In
the society of St. Mark’s Episcopal Church, where the
atmosphere is open and welcoming of all races, cultures, ages,
and relationships, it’s not hard to question why I decided to
cast Albertine with
African-American actresses. Although
the idea initially was to cast multiculturally, the consistency
would’ve been lost due to the fact that Albertine is one
person and the dialogue suggests one life and culture.
For
any actress, a role such as Albertine would be very much
anticipated to play because of the wide emotional and flawed
range of her character. However,
as a little girl growing up and dreaming of playing the best
heroines in the great works of our time—Cat
On a Hot Tin Roof, The
Crucible, Who’s Afraid of Virginia Wolff?, The Prime of Miss Jean Brodie, Death
of a Salesman, The
Glass Menagerie, and any Shakespearean work—I was
devastated as an actress when I found that it would always be
unlikely that I could be cast in such plays except as the maid
or help! I was
confused by the fact that I studied these classics in school,
was taught to appreciate them as the great literature of the
world, but could not play the roles due to the view that these
stories did not apply to me because I am black. I
am an actress at heart and I want to play the great roles!
So
it is my intention to simply provide other
African-American actresses the opportunity to play something
other than the perceived stereotyped roles. The
casting of Albertine in
Five Times is not to exclude anyone but to include everyone
by way of combining cultures and giving audiences the chance to
see something different—African-American actresses who can
play flawed heroines who influence, change, and teach life’s
lessons from a new perspective. Interestingly
enough, the cast is black, the crew is mostly white on top of a
French Canadian play, which is nothing less of testament of
cultural and racial diversity and a tribute to the author’s
unlimited attempt to depict life from the other side. Bravo
Michel!
I
would like to express my complete gratitude to the board of the
St. Mark’s Players, the extraordinary cast, the most fantastic
crew on earth, two great producers Michael and Sandra, Bill
Palander and Russell Colman, and respectfully the Canadian
Embassy of Washington DC for believing in me and the project. I
thank my Lord and Savior Jesus Christ.
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Special
Thanks
Rev. Paul R.
Abernathy
St.
Mark’s Episcopal Church,
Washington, DC
Lite Trix, Inc. (www.litetrix.com)
R&R Lighting
Allison Bohanon
Kenneth “Papi” Vann
The Embassy of Canada
The
Cast
Vanessa Allegra
(Madeleine) – Vanessa has
traveled the globe as a performer/entertainer; however, she is truly a
Washingtonian. Vanessa
received all her technical dance training throughout the Washington
metropolitan area, including The Duke
Ellington School of the Arts and The Washington and Baltimore Ballet
schools. Throughout her
pursuit of the arts, she has also taught dance in several community
centers in the area. If you
look closely enough you may recognize her from several onstage works
throughout DC, such as ISO, The Lottery, A Streetcar Named
Desire, The Gospel at Colonus,
This Joint Is Jumpin’, Miss
Holiday’s Blues—and the list goes on.
She is pleased to be with SMP for the first time.
Her favorite sayings are “God is in control” and “Tomorrow
is a new day,” and she truly lives by those words.
Janice A. Bailey
(Albertine at 60) – Janice is a native Washingtonian, who is making
her acting debut with SMP. Janice
first considered acting when a co-worker’s gentle encouragement
persuaded her to at least take some classes.
Hence, Janice immediately enrolled in on-camera training and
began her education. She
enjoyed it so much that she decided to pursue her ambitions by
auditioning for roles. Janice’s
current profession is Records Manager and Librarian.
Janice is better known in the gospel music circle, performing
with the St. James Community Choir of Washington, DC, and the Gospel
Music Preservation Alliance of Philadelphia, PA.
She is also a member of the Thomas Dorsey Gospel Workshop.
Toni Cooper
(Albertine at 50) – This is Toni’s second production with SMP.
She was last seen as Mrs. McCarthy in SMP’s The Best
Christmas Pageant Ever and is very happy to be back for another
show. Toni is a native
Washingtonian and is a retired Sergeant of the Metropolitan Police Dept.
of Washington, DC. When not
on the stage she spends her time as a role player for several law
enforcement training academies. She
recently made her TV debut in HBO’s The Wire, and can be seen
in the upcoming feature films The Head of State,
The Recruit, and Gods and Generals.
Toni has studied at The Studio Theatre Acting
Conservatory and Gallaudet
University, and received her B.S. from the
University of the
District of Columbia.
Kera
Jordan (Albertine at 40) – Born in Washington ,
DC, and raised in the suburbs of Maryland, Kera has wanted to be an actor for as long as she can remember.
“I always wanted to be an actress on a television soap
opera!” Kera’s
experience in the community theatre production of Sylvia was the impetus for her pursuit of a life in the performing
arts. Kera’s goal as an
actor is to perform roles that are meaningful, challenging and complex.
Kera has appeared in Twelve Angry Jurors (PGLT), You
Can’t Take It With You (SMP), Things
To Work Out Alone (SSS), and The
Art of Abundance (BP). Kera
has also appeared on television and film.
Kera is married and has a 3-year-old daughter.
Away from the theatre, Kera is a pharmaceutical sales
representative. Kera is
pleased to be making her second performance for SMP.
S. Lee Knorr (Albertine
at 70) – Lee is very happy to be returning to SMP as Albertine at 70.
Her last performance with SMP was as Mrs. Armstrong in the
delightful The Best Christmas
Pageant Ever. In recent
months she has appeared onstage in LTA’s production of The Comedy of Errors as Luce and the Voodoo Priestess; as a
Storyteller in AT’s Legend of
Sleepy Hollow; and as Chole Trapp in Museum
at CLS. Lee also had the
pleasure of portraying Señora Rodrigo in the film Travis.
Thank you, Ingrid, for this especially wonderful opportunity, and
as always a big hug to Cliff in gratitude for his love and support.
Sonni Watkins (Albertine
at 30) – Sonni is making her theatrical debut in Albertine in Five Times. She
is currently a student at Montgomery
College, pursuing a degree in International Business.
Sonni has always had a love for creative arts, just recently
completing an autobiography told through poetry.
She looks forward to a career in film and television.
The
Production Crew
Robert C. Bates (Stage
Manager) – RC has worked behind the scenes at several SMP shows,
including designing the set for The
Best Christmas Pageant Ever, managing the box office for Dancing at Lughnasa, and managing the house for The
Wizard of Oz. He is
currently designing the set for Dial
‘M’ for Murder at BCT, and frequently works at CP in
Annapolis.
Ingrid Cornell (Director)
– Albertine in Five Times marks
the tenth production directed by Ingrid Cornell.
An actress living in
Washington
,
DC
, she dedicates all of her time to acting, teaching, writing, and
directing. She has been in
various theatrical productions throughout the Washington Metropolitan
area. She has also performed
in films and industrial shorts. Ms.
Cornell is also an accomplished playwright, having produced her own play
(Uncommon Friends in Reckoning) at the National Theater while
making her debut as a director. Ms.
Cornell was educated at
Howard
University
as a Marketing and Communications major. She
has studied acting at the Studio Theater Acting Conservatory, The
Shakespeare Theater, and The British American Drama Academy at
Oxford
University
. Ingrid has taught Acting
for the Bethesda Academy of Performing Arts, Blessed Sacrament Middle
School, The Shakespeare Theatre, The Boys & Girls Club #10 of
Washington
,
DC
, as well as providing private coaching for adults.
Ms. Cornell was recently seen in the HBO series The
Wire, which debuted in June of 2002. She
is also featured in the film The
Least of These, which will be playing at this year’s DC film
festival.
Sandra Cushner (Co-Producer)
– Sandra has been working backstage in community theatre for the past
three years. This is her
first SMP production and she couldn’t be happier working with this
excellent production team and cast. Her
previous work with Ingrid Cornell includes Uncommon Friends in
Reckoning at the “Monday Night at the National” Series in April
2000. Before moving to
Washington
,
DC
, she danced with the Niagara Civic Ballet Company in
Niagara Falls
,
NY
, in both corps and solo roles for eight years.
Gregory McLellan (Set
Designer) – Albertine in Five
Times is Gregory’s first experience with SMP.
Other significant work includes design for two experimental
first-run operas, The Mirror of
Simple Souls and www.love,
each performed at The University of Michigan, with a special performance
of www.love
by the New York City Opera Company.
Gregory offers deep thanks to the entire cast and crew, with
special appreciation for the set design team, as well as Ingrid Cornell
for her wonderful devotion to the spirit of Albertine.
Edwin Morman (Sound
Designer) – Ed, a California native, served ten years in the Air Force
as an Audio Visual Director for the President of the United States.
He has since settled down into civilian life in DC, and is now an
Audio Visual Consultant with Booz Allen Hamilton in
McLean
,
VA.
Edwin is in his second year
with SMP. Originally brought
to St. Mark’s by pianist (now wife) Laurie Smith Morman to do
last-minute sound design for Pippin,
he has since stayed on for The
Best Christmas Pageant Ever, You
Can’t Take it With You, Into
The Woods, and Driving Miss
Daisy. For other
theaters in the area he has done sound design for Sweet
Charity (FP), The Scarlet
Pimpernel (TCP), The 1940’s
Radio Hour (SCT), and I Do, I
Do (Alden Theater). He
is currently also working on A
Funny Thing Happened on the Way to the Forum (LTA).
Favorite sayings include, “If you can’t control your own
singing voice, you may as well control everyone else’s.”
Michael A. Pemberton (Co-Producer)
– Michael is thrilled to be producing his third all-female cast show
with SMP; his previous all-female shows were Nunsense
and Quilters.
Michael has served the last two years as President of SMP.
He’s usually overextended theatrically, and this year has been
no different—in addition to presiding over SMP, he was last seen on
stage in last fall’s Driving
Miss Daisy. However,
this is his final production with SMP—in April he will be moving to
Illinois
to become the Controller for a small midwestern university.
He is currently Assistant Treasurer for The Catholic University
of America. The last
thirteen years with SMP have been a wonderful experience, and he has
truly enjoyed working with the actors and staff of Albertine in Five Times—some for the first time, and some in
repeat performances. Hugs to
Chad
for all his support.
Jo Rake (Costume
Design) – Jo first became involved in costuming by being the
only cast member with a sewing kit during a repair emergency crisis for Oliver!
Jo did the costume design as
well as portray Mrs. Kirby in last year’s You Can’t Take It With
You (SMP) and has
been costume mistress and properties mistress for a number of theater
and ballet productions. On
stage, Jo has appeared in The Music Man
with 2SP; Great Dames (Marie Antoinette), The Scarlet
Pimpernel, and Jekyll & Hyde with TCP; Bye Bye Birdie (Mrs.
McAfee); The Sound of Music (Sister Berthe); Oliver! (Mrs.
Sowerberry, Old Sally); and The Nutcracker (Mrs. Stahlbaum).
Jo’s next onstage appearance will be as Frau Schmidt in SMP’s
The Sound of Music.
Jim Robertson (Lighting
Designer) – Jim has been active in community theater for as long as he
can remember. He has split
his time in community theater among directing, lighting design, and
acting, with an occasional foray into producing, crewing, and setting up
chairs and platforms for several church-based theater companies.
He is currently on the board of SMP.
Theatre
Abbreviations
| 2SP
= Second Star Productions |
AT = Adventure Theatre |
| BCT
= Bowie Community Theatre |
BP = Burtonsville Players |
| CLS
= Cedar Lane Stage |
CP = Colonial Players |
| FP
= Foundry Players |
LTA = Little Theatre of Alexandria |
| PGLT
=
Prince George’s Little Theatre |
SCT = Springfield Community Theatre
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| SMP
= St. Mark’s Players |
SSS = Silver Spring Stage |
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TCP
= Tantallon Community Players
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St. Mark’s Players’ Board of Directors
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Michael
A. Pemberton, President
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Russ Colman
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Johnna
Reeder, Vice President
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Sarah Hoptman
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Rick
Hayes, Secretary
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Josie Jordan
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Rod
Lawrence, Treasurer
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William D. Parker
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Kevin
Billings |
Jim Robertson
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Pamela
Blumgart |
Chad M. Wilmer |
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Tracy
Councill, Vestry Liaison |
St.
Mark’s Episcopal Church
The
Rev. Paul R. Abernathy, Rector
The
Rev. Stephanie Nagley, Associate Rector
Jennifer
S. Drganc, Director of Youth Ministries
Keith
S. Reas, Director of Music
Adam
A. Martinelli, Director of Children’s Choirs
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The
2002-2003 Sponsors Circle
Archangels
Anonymous
The Jordan Family
Mark
and Nancy Lindley
Michael A. Pemberton and Chad M. Wilmer
Peter
and Kathryn Kistler Powers
The Rutherford Family
Kevin
Sockwell
Angels
The
Rev. Paul and Pontheolla Mack Abernathy
John
and Sue Kamp
Robert
and Inez Lester
Patrons
Eileen
Blumenthal
The
Castillo Family
Sponsors
Richard
Dobson
Lisa
Anne Kerwin
Jim
and Marilyn Meek
Business
Members
Congressional
Title and Escrow, Inc.
National Capital Bank of Washington
Schneider’s
of Capitol Hill
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The
Sponsors Circle contributors are a major source of support for
the St. Mark’s Players. We
sincerely thank each of them for their generous contributions.
St. Mark's Players Production Archive
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