|
|
|
|
|
Benjamin Britten's
SAINT NICOLAS
St. Mark's Church - February 21, 1987
A dramatic cantata in Nine Scenes depicting
the life of
Saint Nicolas, his faith, his miracles
and his enduring legacy.
Performance Conducted by Saunders Allen
- Music Director St. Mark's Church
Assistant Director Mary Lou Coffman
- Music Director St. Mark's Players
Gallery Choir organized and directed
by Nadine Hathaway
Leading Roles
| Saint Nicolas |
Darrell Parsons*
|
| Nicolas as a Boy |
Caroline Bird**
|
| Three Pickled Boys |
Christina Bird**
Caroline Bird**
Hiram Powers
|
| Piano Accompaniment |
Jim McKay
Mary Lou Coffman
|
|
The Chorus
|
|
The Gallery Choir
|
Sopranos
Laurie Macfadden*
Kathleen Hamor*
Dora Savignac
Deanne Meck |
Altos
Susanne Bostick*
Kelli Young
Terese Gemme
Angela Madia
|
|
Sopranos
Caroline Bird**
Christina Bird**
Kendall Black**
E.B. O'Malley*
Penny Whitman |
Altos
Jean Bathurst
Georgia Jackson
Elizabeth Davidson
Hiram Powers
|
Tenors
Fairfield Butt*
Matthew Rupeich
Herbert Buffington |
Basses
Mark Allen*
Walton Moody*
Blake Cornish**
Jack Goldklang**
Hardwick Spencer
Roger McCracken
Tyrone Lans
Timothy Taylor
|
|
|
*St. Mark's Singers - whose dedication
to the performing arts at St. Mark's and whose faithful work made this
performance possible.
**St. Mark's Players - who, in addition
to the singers, were the core group working on this production.
Our gratitude to the St. Mark's Vestry
and Board of the St. Mark's Players for their support,
to Alpine Bird and Mark Allen for
refreshments,
to Jack Goldklang for program notes,
and the parents of the Gallery Choir
for their patience.
All proceeds and charitable donations
will benefit the performing arts at St. Mark's -
The Players, the St.
Mark's Dance Company, Music of the Spheres.
The Cantata, Saint Nicolas,
written in 1948 by Benjamin Britten, presents legendary incidents in the
life of Nicolas, patron saint of children, seamen, and travelers. The part
of Nicolas is sung by the solo tenor, while the choir, transforming themselves
into various contrasting characters during the drama, relate the adventures
with the conviction of eye-witnesses and tie the story together with their
payers and praise.
I. Introduction
The chorus, as contemporary
people gazing back over the centuries, asks Nicolas to "strip off your
glory . . ." and speak to them. The Saint responds across the span of sixteen
hundred years saying that the seeds of faith survive "in you" and to preserve
the living faith won by those who died "that you might worship God." In
response, the choir asks God for strength to serve with simplicity.
II. The Birth of Nicolas
The sopranos and altos,
representing school children, sing of the birth and childhood of Nicolas,
even describing his enthusiasm in his bath or at his baptism. At the end
of each verse, the boy Nicolas sings, "God be Glorified." The excitement
builds to the dramatic moment when the voice of the boy Nicolas is transformed
into the full power and confidence of the adult Nicolas' call: "God be
Glorified."
III. Nicolas Devotes
Himself to God
At the beginning, Nicolas
relates his feelings as he views the "wider world of man," living in poverty,
doomed to die "in everlasting fear of everlasting death." Nicolas sells
his lands to feed the poor, but is still heart-sick and angry. He asks
God to "purge my angry soul" and prays for sweet humility. The discords
of the music come to rest indicating that the prayer of Nicolas is answered.
IV. He Journeys to
Palestine
The men of the choir relate
a sea voyage. On the journey, the sailors jeer at Nicolas who predicts
a storm ahead. Darkness falls and, as the crew settles down to sleep, the
wind arises and the waves begin to pour over the deck. The sailors try
to launch the lifeboats and shorten sail, but finally break into cries
of help. Schoolgirls sing of the lightning hissing through the night
and of the angry roar of the wind and waves. At the height of the storm,
the sailors kneel and pray. Nicolas joins the sailors and begs God
to make the storm to cease. The thunder dies down, and wind loses its violence,
and the waves lay down to rest. As the ship sails on, the stars appear
in the calm sky and Nicolas kneels down in thankfulness.
V. He Comes to Myra
and is Chosen Bishop
The full choir proclaims
Nicolas Bishop of Myra. A small ensemble follows each action of the ceremonial
acceptance of the mitre, the golden robe, the dalmatic, and the crozier.
Following the setting of the ring on Nicolas' hand, the "Amen's" quicken
to an energetic fugue: "Serve the Faith and spurn his enemies." At the
conclusion of the fugue, there is a pause for the twentieth century congregation
to "join the choir in singing the familiar hymn, 'All people that on earth
to dwell’ . . ."
VI. Nicolas From Prison
Nicolas tells of the persecution
of the church for eight years by the Romans and relates having to celebrate
communion with prison bread. Then he angrily admonishes those who "embrace
the lash of sin" and "build your temples fair without and foul within .
. . " Nicolas calls them to turn away from sin and "bow down your hard
and stubborn hearts."
VII. Nicolas and the
Pickled Boys
The choir sings of approaching
travelers struggling along a wintry road seeking food in the city. Three
women call for their missing boys, "Timothy, Mark, and John are gone."
Upon reaching the inn, the travelers order a meal and invite Nicolas to
join them. But Nicolas suddenly warns them not to touch the meat, for it
is the flesh of the missing boys who have been killed by the butcher and
pickled in salt. Before the eyes of the travelers, Nicolas calls
the three boys back to life. They enter hand-in-hand, singing, "Alleluia."
The choir joins them in praising God for the miracle.
VIII. His Piety and
Marvelous Works
After being Bishop for forty
years, the choir thanks Nicolas for being "our shepherd and our gentle
guide . . ." They recall his courage, kindness, and of being "a spend-thrift
in devotion." On many occasions, he saved them from prison, from famine,
from shame of sin, from death, from shipwreck, and from oppression of being
ruled by unjust men. The choir asks to keep the memory of Nicolas alive
through his legends.
IX. The Death of Nicolas
Nicolas hears the summons
of death and eagerly looks forward to "Him who waits for me above." During
his final prayer, the choir sings the Nunc dimitis (Lord, now lettest
thou thy servant depart in peace) with the voices growing in strength towards
the final Amen. The sound of the organ quietly announces the beginning
of the final hymn and the cantata concludes with the congregation joining
the choir and singing: “God moves in a mysterious way, His wonders to perform."
St.
Mark's Players Production Archive |